The octatonic scale, being a series of alternating half and whole steps, is perfectly suited to inversion canons.
This one is a canon at the fifth in inversion.
The one challenge I had with this one was that, since I had decided not to cross voices, I left myself with a fairly restricted range. If I were to do this again, I'd make it a canon at the 12th instead.
(click on image to enlarge)
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